Seung-hye moves to a new house that she has been looking forward to so much with her junior, Na-yeong, but is swindled by a double contract and moves in with a strange man, Soo-cheol, and his senior Hyeon-joon. Armed with powerful male hatred, Seung-hye distanced herself from the men even by dividing the house in half, but her junior, Na-yeong, falls into the hands of Hyeon-joon, a wolf dressed in sheep's clothing. Seung-hye hates men's genitals because male hatred is deeply ingrained in her brain. To this Seung-hye, she suddenly witnessed Soo-cheol's genitals. She tries to forget it, but the penis stuck in her mind and she can't unsee. She concludes that Soo-cheol "fooled her into liking sex" and treats Soo-cheol as a rapist.

To get revenge on her ex-boyfriend and to help revive her late mother's tennis table club, a table tennis prodigy decides to take part in a mixed doubles table tennis tournament.

On the mean streets of New York City, a dog-eat-dog mentality reigns among the destitute citizens. In one of the many abandoned buildings in the neighborhood of Alphabet City lives the Brazilian Rita La Punta, along with her delinquent son, Thiago, and a gang of Hispanic teens charged with selling heroin and cocaine. When Rita and her young gang members get involved in a minor turf war, the violence escalates out of control, touching everyone and sparing no one.

Stricken with an undisclosed illness, the narrator of this reflexive work draws evocative parallels between the darkened hulls of an industrial ocean liner and an increasingly disorienting mental state. Courtney Stephens was inspired by the nautical imagery and turbulent inner monologue of Hannah Weiner’s maritime code poems.

Hot Dog! Get mixed-up with Mickey and all of his pals in his new house in Hot Dog Hills!

The sad and sometimes darkly funny lives of various denizens of Chicago's social and economic underside provide the focus of this adventurous independent comedy-drama.

The sad and sometimes darkly funny lives of various denizens of Chicago's social and economic underside provide the focus of this adventurous independent comedy-drama.

A woman swaps bodies with a chair, and everyone likes her better as a chair.

A woman swaps bodies with a chair, and everyone likes her better as a chair.

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